Disorganized Remix Primer 1: Speech-Based Remix

This primer makes no claim to expertise or authoritative knowledge. Rather, it is a compilation of interesting cultural objects that partake in different, yet related, forms of “derivative” or “appropriative” creativity that could generally be defined as “remix.” Have a favorite video, audio recording, or other artifact not included in this primer? Leave a link in the comments!

The Symphony of Science is an ongoing project headed by John Boswell, an electronic musician based in Washington. Boswell combines original compositions, still images, video, and the speech of famous scientists (both unaltered, and processed using the “auto-tune” technique, which more-or-less exaggerates the tonal cadences of normal speech using a computer program) to produce music videos celebrating science and scientific exploration. So far, six music videos have been produced, and the samples used have come from sources such as Cosmos, Stephen Hawking’s Universe, The Eyes of Nye,, and The Elegant Universe

By making scientific speech musical, Boswell taps into a wealth of whimsy and playfulness that is often at the heart of the best of scientific research (“these are some of the things that molecules do…”). The musical speech anchors the scientific and philosophical speech in the mind in a way that would be impossible were it simply spoken.

Boswell is not the only remix artist using auto-tune techniques to play with the power of human speech. The best work of Auto-Tune the News has illustrated, much better than any public speaking textbook, the close connections between skilled rhetoric and musical performance.

On the other side of the “found speech” coin is Revolucian‘s club mix of Christian Bale’s infamous on-set freak out, mirrored with a similar incident involving Barbara Streisand. Unlike the work of Boswell or Auto-Tune the News, Revolucian leaves the tonal content of the found tracks intact, choosing instead to play the rhythmic cadences of Bale’s and Streisand’s speech off themselves. The piece exploits generated and perceived conflict between the two “singers,” satirizing both the personalities and the initial incidents (both of which were publicized via leaked videos at the time).